My buddy Nick ONLY listens to production music. He started with house, drum and bass, and jungle back in middle school, collecting Accelerator, King Of The Beats, Second Toughest in the Infants, Orbital 2, and Native Drums as some of his notable ’90s favorites. Dude works construction and practically lives for Four Loko, his reverse-landing-strip facial hair, and dance music. When at peak levels of wasted while listening to music, if he’s feeling it HARD, Nick will just start screaming out, like some kind of psyche-battle cry into sobriety of the song/moment. Nick is now obsessed with 1080p, but he doesn’t understand technology, smart phones, computers, or the internet.
Luckily, he’s got old C Monster on his side. Not only have we gone back and forth on 1080p tapes since their inception (and considering he’s my only friend with a cassette player in his ‘94 T-Bird), but at this point, I’ve bought MCFERRDOG’s newest Lawd Forgive Me twice — one coming promotionally early, giving a non-tech BRO (Nick) some heavy advantage over most modern-day music scourers. It’s about 830AM as I write this, and Nick probably just arrived to work after choking out a Loko and shaking his head relentlessly to Lawd Forgive Me, having NO IDEA people actually think this music is fashionable today.
Dreams do come true. People exist in this world without knowledge of others and contentment still reigns. I don’t even have to ASK you (the reader) to find content in MCFERRDOG’s Lawd Forgive Me. It’s streaming below and will present itself immediately:
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• MCFERRDOG: https://soundcloud.com/maxmcferren
• 1080p Collection: http://1080pcollection.net