I can’t believe I actually listened through this whole compilation, but I did. It’s worth it. From FEEDBACKER’s sluggish affectations—broad, choral, messy, heart wrenching, all those parts of loss and love—through Hantasi’s blissful “X”, 1929’s “Baby, Yes I Do”, After Hours’s “Quicker”, and how it all ends on a long, sweet note with camera removal’s “my hands are only strong enough to play piano.” Pick and choose. Dip in and out. Play it through.