Yeah, that’s right. Leaving Records just redubbed a second edition of DDUST REGOS by Dakim. You missed it the first time? All good. ‘Cause it just popped out in edition of 250. Ad Hoc is on the business too! But may I break down these beats to a minimal degree as the beat-god does so in depth sonically?
The first bit of this excerpt of DDUST REGOS tastes like strawberry candy. That flavor of “Yes, it’s DEFINITELY [that fruit], but there’s no WAY it could actually be real.” Oh, the beat is real, it’s fluctuating throughout your cranium, and them brains at yo feet been movin’ since these musical frictions began waving since pressing PLAY button on SoundCloud. The second beat of the first excerpt dwells in the mystery of Dakim more-so than ever. Bass and bones and strings and switches and swinging pendulums: shit slangin’ in code hasn’t been this nasty since the NSA got called out.
The beginning of the second excerpt is the packages adventure. What’s that? Maybe an orchestra sped up, or a flute. Twinkles of woofer vibes channeling about the mind. Tape reeled in a directionless pattern that finds itself together and whole never seems to stop in the Dakim linage, as listeners can hear on DDUST REGOS. And “Oo Child,” the pain of fade piano and steady drumming to fade you into oblivion of mentality trails out the end of excerpt two, which brings me to:
GRIP THIS CASSETTE ASAP BECAUSE IT’LL SELL OUT AGAIN AN’ THEN YOU BE ALL UP IN THAT DISCOGS GAME TRYNA GRIP YOU THIS REEL AT ABOUT $1,000 WHILE ANOTHER (FUTURE) LEAVING TAPE IS POPPING OFF AND YOU MISSING OUT ‘CAUSE YOU DONE FUCKED YOUR COLLECTION TIMING. hi.
• Dakim: http://ddust.net
• Leaving Records: http://leavingrecords.com
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