The switch is flipped toward hand-strummed glitch. The dying circuits vaporize, cut with used detergent, and reappear on a copper bracelet. The copper leaves a ghoulish green ring.
The switch is flipped again, turning on buzz dynamics, capable of time travel, running on low batteries. Manipulated time does a three-point turn in a parked-up turnaround. On the driver’s side, the tire’s flat plug flaps a raspberry.
The switch breaks off and rolls across the table of gear like a copper coin. It is caught right before a free fall, then kissed in return for its good luck. A half-second has passed.
Back in place, the switch turns its attentions to a folk stone. The stone is gouged to pebbles. Chunks of debris rest at the feet of the sculptor. His carving tool is dropped. It skids across the lacquered floor and bounces off the debris.
Whichever way the switch is flipped, jeremy kennedy activates drupelets of minimal chaos, forming a pop-length piece of sweet odds and evens.
Listen to “good phones, heavy phones (part 1)” by jeremy kennedy below and dig on the process:
• fmsmprc: http://fmsmprc.bandcamp.com/album/hunt-the-grease
More about: jeremy kennedy
