It’s more or less a given that contemporary musical artists working on the higher end of visibility and reach take their video and live-show light work as virtually as central to their work as their audio trail, but Brooklyn-based Rachika S seems to have integrated that understanding in deeply immanent fashion from her first public transmission.
Old honeybees. Hot October. Kentucky mud. Unplanned plastic. Late beers. DOUBLE DUDES. Lambkin Nace.
Graham will tell me after the show that he hadn’t played the guitar in 12 years before this. “What does that say?” he asks. The implication is that anyone could do just this. Or maybe it’s that he’s a fucking genius? I CAN’T TELL.
Styles: dark fantasy, dark techno, OSTs, vocaloid Others: Dasychira, x/o, Thoom, SHAPE
The imaginary, wider-eyed sister of the Ty Inc. beanie baby “Rocco the Raccoon” casts a fiendishly innocent stare from the cover of Swan Meat’s new EP. Staring into its super dilated pupils bewitches and unsettles. A feral creature turned submissively sweet when translated to plush, this one’s heart-shaped tag has been cheekily rebranded to “Tame.” The baby seems to come from a playhouse possessed with the grim dreams of its owner, stitched as those are with safety pins and ghostly wisps of mist.
Grimes promises new music this Thursday, cuts the digital ribbon on new web storeGrimes promises new music this Thursday, cuts the digital ribbon on new web store
Thank god, because I don’t think we need any (more) internet speculation about how Grimes and Elon Musk might be the first recognized interstellar couple. The latter’s doing things that don’t really concern TMT from a publication standpoint, and the former, well…it’s been a while.
Charli XCX producer umru drops new EP on PC Music, shares lyric video for “heat death” (feat. Banoffee)Charli XCX producer umru drops new EP on PC Music, shares lyric video for “heat death” (feat. Banoffee)
Boom. Your Monday just got a little more CYBER, baby.
After receiving heaps of critical attention (the good kind!) for his official remixes for the likes of Lido, lil aaron, and Kid Froopy — not to mention for co-producing, alongside A. G. Cook, the track “I Got It” off Charli XCX’s Pop 2 mixtape — 19-year-old New York wonder-producer umru has unveiled his official debut on (duh) the PC Music label.
Styles: “Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.” Others: Suzanne Ciani, Seven Waves; Anna Kavan, Ice; Wave Notation 3: Erik Satie; La lune s’attristait
Your breath wavers. Somewhere, something shudders. Like a wind that stirs you. A quivering silence in its wake. And abandonment. And a trembling emptiness. A brush of wings in the dark. Dew gathers, then drops. There is a dark pool at the center of everything. Silent, its sheen. But tremulous, a whisper slips sleek across its surface. Tears don’t, perhaps, disturb the night. But what then is this tremor? What then through us seeks release?
One way to think of a music label, discussed in this essay as a microcosm of the proverbial “archive,” is as a constellation of satellites and space debris floating forever in high orbits, far above the atmospheric wisps and damaging planetary gusts that would compromise their structural integrity. Similar to the satellite, a music label attempts an “out-of-timeness” that oscillates in a defiantly abstract space.
Avant-pop extraordinaire Eric Copeland (of Black Dice and Terrestrial Tones) has teamed up with Aaron Anderson (Beat Detectives) and Eric Timothy Carlson for the release of a beautifully horrific video collage for his track “Fresco.”
Styles: experimental chamber electronica Others: Forest Swords, Ben Frost, Sinjin Hawke & Zora Jones
Recently, it’s become something of a trend for artists formerly associated with club- or dance-oriented music to move away from anything with a steady or danceable rhythm, and toward sounds that refuse genre and incorporate the ambient (in all senses). It’s often presented, in press releases at least, as a move away from populism and toward serious art status. This, however, is an assumption worth calling into question.