Ever since abandoning the tranquil, indie pop tendencies of Coastal Grooves and Cupid Deluxe, Devonte Hynes has become unafraid of taking risks. The nocturnal expanses of Freetown Sound were (and still are) a full-bodied testament to that fact. While Blood Orange may have originated within the confines of bedroom music, the calling of shared histories and experiences, drawing from Hynes’s diasporic beginnings, have come into focus.
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