Few subjects inspire the same distinctive mixture of romance and dread as our own memory. That same process that allows us to build a concrete, meaningful picture of our own lives, in its absence, becomes a horrifying signifier of our own eventual end, a dissolve back into empty signals with nothing to perceive them. Plenty of artists have tackled this back and forth, whether it be the decaying paranoia of Leyland Kirby’s work as The Caretaker or the playfully warped nostalgia trips of Oneohtrix Point Never.
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